In all drama which would give direct expression to reverie, to the speech of the soul with itself, there is some device that checks the rapidity of dialogue. When Oedipus speaks out of the most vehement passions, he is scious of the presence of the chorus, men before whom he must keep up appearances children latest born of Cadmus line who do not share his passion. Nobody is hurried or breathless. We listen to reports and discuss them, taking part as it were in a cil of state. Nothing happens before our eyes. The dignity of Greek drama, and in a lesser degree of that of eille and Rae depends, as trasted with the troubled life of Shakespearean drama, on an almost even speed of dialogue, and on a so tinuous exclusion of the animation of on life, that thought remains lofty and language rich. Shakespeare, upon whose stage everything may happen, even the blinding of Gloster, and who has no formal check except what is implied in the slow, elaborate structure ……（内容加载失败！）
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