A PLAY is said to he well or ill acted in proportion to the sical illusion produced. Whether such illusion in any case be perfect, is not the question. The approach to it, we are told, is, wheor appears wholly unscious of the presence of spectators. In tragedy -- in all which is to affect the feelings -- this undivided attention to his stage business, seems indispensable. Yet it is, in fact, dispensed with every day by our cleverest tragedians; and while these refereo an audience, in the shape of rant or se, are not too frequent or palpable, a suffit quantity of illusion for the purposes of dramatiterest may be said to be produced in spite of them. But, tragedy apart, it may be inquired whether, iain characters in edy, especially those which are a little extravagant, or whivolve some notinant to the moral se is not a proof of the highest skill in the edian when, without absolutely appealing to an audience, he keeps up a tacit uanding with them; and ma……（内容加载失败！）
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