HOGARTH excepted, we produy one painter within the last fifty years, or sihe humour of exhibiting began, that has treated a story imaginatively? By this we mean, upon whom his subject has so acted, that it has seemed to direct him -- not to be arranged by him? Any upon whom its leading or collateral points have impressed themselves so tyrannically , that he dared not treat it otherwise, lest he should falsify a revelation? Any that has imparted to his positions, not merely so much truth as is enough to vey a story with clearness, but that individualising property, which should keep the subject so treated distin feature from every other subject, however similar, and to on apprehensions almost identical; so as that we might say, this and this part could have found an appropriate pla no other picture in the world but this? Is there anything in modern art -- we will not demand that it should be equal -- but in any way analogous to what Titian has effected,……（内容加载失败！）
(ò﹏ò)
抱歉，章节内容不支持该浏览器显示～
【为了使用完整的阅读功能】
请考虑使用〔Chrome 谷歌浏览器〕、〔Safari 苹果浏览器〕或者〔Edge 微软浏览器〕等原生浏览器阅读！
谢谢!!!